A GREAT CONVERGENCE: Agatha Christie’s Towards Zero

“I like a good detective story . . . But, you know, they begin in the wrong place! They begin with the murder. But the murder is the end. The story begins long before that – years before sometimes – with all the causes and events that bring certain people to a certain place at … Continue reading A GREAT CONVERGENCE: Agatha Christie’s Towards Zero

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A MOTIVE FOR LOVING CHRISTIE

Every so often, a confluence of events brings about enlightenment. It’s how we got penicillin and harnessed electricity and learned how to fly. In the art world, it happens when paints mix together fortuitously or musical notes embrace in harmony or Warner Brothers produces The Maltese Falcon three times before they get it right. As an … Continue reading A MOTIVE FOR LOVING CHRISTIE

FIGHTING THE FIFTH COLUMN, GAD STYLE – PART ONE: Christie’s N or M

Last year, moviegoers and Netflix subscribers (I count myself as both) were inundated with mid-20th century British history. Beginning with Christopher Nolan’s Dunkirk, followed by The Darkest Hour, which covered the same events from Churchill’s point of view (and assured its star, Gary Oldman, of an Oscar), continuing on to Season 2 of The Crown, … Continue reading FIGHTING THE FIFTH COLUMN, GAD STYLE – PART ONE: Christie’s N or M