THE EYES HAVE IT: Christie and Hitchcock and the Point of View

So much has been written about my favorite filmmaker, Alfred Hitchcock – more than any other director, living or dead – that I would be hard-pressed to come up with any original thoughts about his life or work. That's because the French, including fellow auteur Francois Truffaut, elevated Hitchcock’s oeuvre from “mere” entertainment to art. … Continue reading THE EYES HAVE IT: Christie and Hitchcock and the Point of View

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HONING YOUNG MINDS . . . TO MURDER!!!!!! – The 2019 Mystery Project

I have spoken before in this space about how every spring I twist my drama students’ arms offer my drama students a wonderful opportunity to create their own GAD-styled mystery plays! or else! This year is no exception. After whetting their script-writing whistles on the Peter Ustinov version of Evil Under the Sun (nobody in either class … Continue reading HONING YOUNG MINDS . . . TO MURDER!!!!!! – The 2019 Mystery Project

THIRTEEN EGYPTIANS SAT DOWN TO DINE: Christie’s Death Comes As the End

When we talk about Death Comes as the End, Agatha Christie’s 1944 tour de force set in ancient Egypt, conversation hovers around personal opinion about how well Christie balanced the mass of detail in this, the first ever historical mystery novel, with her trademark GAD plotting. But now that the book is about to receive its first … Continue reading THIRTEEN EGYPTIANS SAT DOWN TO DINE: Christie’s Death Comes As the End

ACDC, PART FIVE/FIRST LET’S TALK ABOUT WATSONS: The Unicorn Murders

That GAD staple, the eccentric genius detective, has the potential to be obnoxious. His eccentricities can quickly grow tiresome, and his brilliance at sleuthing is too often accompanied by unmitigated ego or a reticence for explanation that can annoy readers as much as it infuriates the fictional policeman. This is why many classic authors took … Continue reading ACDC, PART FIVE/FIRST LET’S TALK ABOUT WATSONS: The Unicorn Murders